Lot of 6,Durning,Woods,Quaid,Gossett Jr.,Stroud,Webber stills THE CHOIR BOYS (77

Description

(They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
Lot of 6, Charles Durning, James Woods, Randy Quaid, Lou Gossett Jr., Don Stroud, Robert Webber, Clyde Kusatsu, Stephen Macht, Tim McIntire stills THE CHOIR BOYS (1977) MINT vintage original studio release ALL WITH SNIPE DESCRIPTIONS ON THE BACK SIDE!
– GET SIGNED!
This lot of approximately 8” x 10” photos will sell as a group. The first picture is just one of the group, please open and look at each still in this lot to measure the high value of all of them together. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photographs. I just placed them on this listing to protect these high quality images from being bootlegged. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
PLEASE BE PATIENT WHILE ALL PICTURES LOAD
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These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
DESCRIPTION:
Loosely based on former policeman Joseph Wambaugh's humorous novel, The Choirboys determinedly explores the stunted interior lives of a large crew of callous, bigoted L.A. policemen. These men get together to lend one another emotional support. However, the means they choose for this do not enhance their sensitivity or their judgement. When one of them has a really bad day, he asks his buddies to come to "choir practice," and they get together for alcoholic benders of fairly epic proportions. When one of them accidentally shoots a homosexual teen cruising a city park, everyone (including higher-ups) gets called on to help with the cover-up. The Choirboys, which was a critical and box-office failure, had an impressive cast list, including such well-known performers as Blair Brown, James Woods, Randy Quaid, Lou Gossett Jr., Perry King and Charles Durning.
CONDITION:
These quality vintage and original release stills are in MINT condition (old yes, but NO signs of wear or damage). PERFECT TO BE AUTOGRAPHED OR SIGNED AT A PERSONAL APPEARANCE! I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. (They came from the studio to the theater during the year of release and went into storage for many years!) They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound with even more extra ridge packing.
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PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
There is a great film waiting to be found within the pages of the Joseph Wambaugh novel that gives this film its name. Unfortunately, Robert Aldrich and crew failed to deliver it with this film. The script faithfully translates many scenes and whole chunks of dialogue from the book verbatim but something went missing in the translation. This happens mainly because Aldrich's direction of the tale is uncharacteristically flat-footed, missing out on the surreal, cartoonish edge of the novel and delivering a finished product that lacks irony or any attempt to criticize the policemen heroes for the role they play in the vicious cycle of their careers. As a result, key scenes with a dark racial, social or sexual edge to them lack the sense of danger they should have and play out like crass gags from a particularly raunchy sitcom. The cast gives it their all, with pros like Charles Durning and Burt Young turning in solid work as police force veterans. However, normally reliable actors like Don Stroud and Perry King turn in overwrought performances, probably due to the shrill, one-note tone of the script and direction. Even the technical aspects of The Choirboys seems off: Joseph Biroc's cinematography has a dull, overlit "t.v.-movie" look to it and Frank DeVol's score includes humor-minded songs that sound like outtakes from the score of Car 54, Where Are You. In short, fans of Wambaugh's novels would be better off sticking with The Onion Field or The New Centurions rather than this misguided adaptation.
Before he became an actor, Charles Durning, the son of an Army man, continued in his father's footsteps with valor and distinction, earning a silver star and purple heart in World War II. Durning held down several "joe jobs" -- iron worker, elevator operator, cabbie, waiter, and dance instructor -- until turning to acting in the late 1950s. Fresh from the national tour of The Andersonville Trial, Durning began his long association with Joseph Papp in 1962, distinguishing himself in Shakespearean roles. He made his earliest film appearance in Ernest Pintoff's Harvey Middleman, Fireman (1965). Durning's film roles increased in size and importance after his interpretation of a crooked cop in the Oscar-winning The Sting (1973). He went on to appear in several Burt Reynolds films, most memorably as the singing governor in The Best Little Whorehouse in Texas (1982). That performance landed him an Oscar nomination, as did his spin on "Concentration Camp" Erhardt in the 1983 remake of To Be or Not to Be. In 1975, Durning was nominated for a Golden Globe Award for his portrayal of ulcerated police lieutenant Moretti in the theatrical feature Dog Day Afternoon (1975); he finally won that award 15 years later for his work as "Honey Fitz" Fitzgerald in the TV miniseries The Kennedys of Massachusetts. Other notable film roles to his credit include Peter Stockmann in the Steve McQueen-produced An Enemy of the People (1978), Dustin Hoffman's "suitor" in the cross-dressing classic Tootsie (1982) (he later co-starred with Hoffman in the 1984 stage revival of Death of a Salesman), and the foredoomed Waring Hudsucker in the Coen Brothers' Hudsucker Proxy (1994). On television, Durning played Lt. Gil McGowan on the daytime soap Another World, officer Frank Murphy in The Cop and the Kid (1975), Big Ed Healey in Captains and the Kings (1976), Studs' dad in Studs Lonigan (1979), private-eye Oscar Poole in Eye to Eye (1985), the title character in PBS' I Would Be Called John: Pope John XXIII (1987), crooked industrialist Dan Packard (the old Wallace Beery role) in Dinner at Eight (1989), and Dr. Harrlan Eldridge in the Burt Reynolds TV vehicle Evening Shade (1990-1994), an assignment which afforded the far-from-sylph-like Durning his first nude scene. While his television and film career have continued to be prolific, Durning has also continued to earn acclaim for his stage work. In 1990, he won a Tony Award for his performance as Big Daddy in the Broadway revival of Cat on a Hot Tin Roof. He continued to work steadily well into his seventies in a variety of projects including Jodie Foster's dysfunctional family comedy/drama Home for the Holidays, the absurd comedy Spy Hard, and Jerry and Tom. At the beginning of the 20th century he reteamed with the Coen Brothers for O Brother, Where Art Thou?, and was part of the impressive ensemble in David Mamet's State and Main. He was part of the original cast of the firefighter drama series Rescue Me.
Hawaii-born actor Clyde Kusatsu has appeared in roles calling for a variety of indeterminate ethnic origins. Early film appearances included unbilled bits in Airport 75 (1975) and Alex and the Gypsy (1976). With his minor role as the Freighter Captain in Black Sunday (1977), Kusatsu began working his way up the featured-player ladder. On series television, Kusastu has had plenty of opportunity to display his talent in the roles of Ali in Bring 'Em Back Alive (1982) and Dr. Kenji Fushida in the Hawaii-based Richard Chamberlain vehicle Island Son (1989). In 1994, Clyde Kusastu was sixth-billed in the psychological nailbiter Dream Lover.
American actor Stephen Macht has proven to be a master at playing handsome, outwardly successful men whose inner doubts are never far from the surface. Macht's film debut was in 1977's The Choirboys, after which he appeared primarily in medium-budget shockers like Nightwing (1979) Amityville II: The Possession (1982) and Monster Squad (1987). Macht seemed on the verge of TV stardom when he accepted the leading role of a family man who chucks the suburban life to set up home in the inner city in the 1981 series The American Dream; the critics were impressed, but the audiences were tuned to the competition. Since that time, Stephen Macht has had recurring roles as Joe Cooper on Knot's Landing and as Chris Cagney's lawyer-boyfriend David Keeler on Cagney and Lacey.
The son of actors John McIntire and Jeanette Nolan, Tim McIntire began his career in his teens, occasionally showing up on his dad's TV series Wagon Train. His first regular weekly TV work was in the role of Bob Younger on the 1966 prime-timer The Legend of Jesse James. Matheson kept busy into the 1980s with a steady stream of small but distinct character roles; he enjoyed a rare starring assignment as rock 'n' roll maven Alan Freed in 1978's American Hot Wax. He wrote the musical score for the 1975 cult favorite A Boy and His Dog, and provided the voice of Blood the dog (one of his many voiceover assignments during this period); he also wrote and performed the music for 1971's Jeremiah Johnson. Tim McIntire died of heart failure at age 43.
Whether he is playing a clumsy redneck, spoofing an American president, or portraying a quietly psychotic father, Randy Quaid has a screen and stage presence that is difficult to ignore. Part of this is due to his physical appearance. The curly headed Quaid stands a muscular 6'4" tall, and unlike his handsome younger brother, Dennis, he is an ordinary-looking man with a flexible face that enables him to disappear into a wide variety of characters. An electrician's son, the Houston-born and raised Quaid was majoring in drama at the University of Houston and working as a standup comedian with actor Trey Wilson when he met Peter Bogdanovich. The young director was impressed with Quaid and cast him in a number of his films, beginning with Targets (1968), then The Last Picture Show (1971), Paper Moon (1973), and Texasville (1990). In 1973, Quaid received an Oscar nomination for his moving portrayal of a convicted, bewildered sailor escorted to prison by guards Jack Nicholson and Otis Young in The Last Detail. Other notable Quaid performances can be found in Midnight Express (1978), the National Lampoon Vacation films of the '80s and '90s, The Curse of the Starving Class (1994), and Kingpin (1996). In 1999, he stepped in front of the camera for his wife, Evi Quaid, in High Expectations, her directorial debut. The film premiered at the Toronto Film Festival that year. Moving into the 2000s, the veteran actor continued to appear in a number of high-profile features, including Ang Lee's 2005 Oscar-winner Brokeback Mountain, though his eccentric behavior quickly began to overshadow his impressive film resume. Arrested in 2009 for allegedly defrauding an innkeeper and again the following year on burglary charges, he promptly fled to Canada and sought asylum with wife Evi. Though successful in feature films, Quaid has had even better luck on television. The burly actor has excelled on the small screen since making his debut in the 1971 movie Getting Away From It All. He has been nominated for an Emmy for playing President Lyndon B. Johnson in the NBC miniseries LBJ: The Early Years (1986), a role that also won him a Golden Globe award. Quaid's television work extends beyond the dramatic: During the 1985-1986 season, he was a regular on NBC's sketch comedy series Saturday Night Live, and starred in the sitcom Davis Rules from 1991 until 1992. In addition to his film and television career, Quaid has also found success on-stage in both New York and Los Angeles.
The son of entertainer Clarence Stroud, Don Stroud made his first film appearance in the 1967 Diabolique clone Games (1967). Handsome and solidly built, Stroud has prospered in meaty second-lead and character roles. Most frequently cast as a short-fused detective, Stroud was seen on television as Sgt. Mike Varrick on Kate Loves a Mystery (1979), as Captain Pat Chambers on Mickey Spillane's Mike Hammer (1984-87) and as Captain Lussen on the 1989 syndicated revival of Dragnet. Don Stroud has remained active into the 1990s, frequently in such instant-videocassette fare as Carnosaur 2 (1995).
One of Hollywood's most intense supporting and leading actors, James Woods has built a distinguished career on stage, screen, and television. Early in his career, Woods, with his lean body, close-set eyes, and narrow, acne-scarred face, specialized in playing sociopaths, psychopaths, and other crazed villains, but in the 1990s, he added a sizable number of good guys to his resumé. The son of a military man, Woods was born in Vermal, UT, on April 14, 1947. Thanks to his father's job, he had a peripatetic childhood, living in four states and on the island of Guam. As a young man, he earned a scholarship to the Massachusetts Institute of Technology; after obtaining a degree in political science, he set out to become a professional actor in New York. While in school he had appeared in numerous plays at M.I.T., Harvard, and with the Theater Company of Boston, as well as at the Provincetown Playhouse on Rhode Island. After working off-Broadway, Woods debuted on Broadway in 1970, appearing in Borstal Boy. Off-Broadway, he earned an Obie for his work in Saved. In 1971, the actor made his first television appearance in All the Way Home, and the year after that debuted in Elia Kazan's thriller The Visitors (1972). He then played a small part in The Way We Were (1973), but did not become a star until he played a vicious, remorseless cop killer in The Onion Field (1979). Subsequent film appearances quickly established Woods as a scene stealer, and though not among Tinseltown's most handsome actors, he developed a base of devoted female fans who found his rugged, ruthless appearance sexy. This appearance would serve him well throughout his career, notably in one of his first major films, David Cronenberg's Videodrome (1983). Cast as the film's morally ambiguous hero, Woods gave a brilliantly intense performance that was further enhanced by his rough-hewn physical attributes. Throughout the 1980s, Woods continued to turn in one solid performance after another, earning a Best Actor Oscar nomination for his portrayal of an American journalist in South America in Oliver Stone's Salvador (1986). He gave another remarkable performance as a Jewish gangster in Sergio Leone's Once Upon a Time in America (1984), and in 1989 tried his hand at playing nice in the adoption drama Immediate Family. That same year, he won an Emmy for his portrayal of Alcoholics Anonymous co-founder Bill Wilson in My Name is Bill W. After beginning the subsequent decade with an Emmy and Golden Globe-nominated performance in the title role of the made-for-TV Citizen Cohn (1992), Woods appeared in a diverse series of films, playing a boxing promoter in Diggstown (1992), H.R. Haldeman in Nixon (1995), a drug dealer in Another Day in Paradise (1998), and a vampire slayer in John Carpenter's Vampires. In 1996, he won his second Oscar nomination for his portrayal of Medger Evers' suspected assassin in Ghosts of Mississippi. In 1999, the actor continued to demonstrate his versatility in a number of high-profile films. For The General's Daughter, he played a shady colonel, while he appeared as a newspaper editor in Clint Eastwood's True Crime, the head of an emotionally disintegrating Michigan family in The Virgin Suicides, and a football team orthopedist in Oliver Stone's Any Given Sunday.
Though born in close proximity to Hollywood, Robert Webber chose to head East to launch his acting career shortly after World War II. On Broadway from 1948, Webber made his film bow in 1950's Highway 501, playing the first of many villains. His career moved in fits and starts until he was cast by director Sidney Lumet as Juror Number 12 in the 1957 filmization of Twelve Angry Men. Webber flourished in the 1960s, mostly playing outwardly charming but inwardly vicious types; who could forget his torturing of Julie Harris in Harper (1966), grinning all the while and saying lines like "I just adore inflicting pain"? A personal favorite of director Blake Edwards, Webber was given roles of a more comic nature in such Edwards films as Revenge of the Pink Panther (1978), 10 (1969), and S.O.B (1981). One of Robert Webber's better later roles was as the father of erstwhile private eye Maddie Ross (Cybill Shepherd) on the cult-favorite TV series Moonlighting.
Charles Durning    Whalen Perry King Perry King   Slate Clyde Kusatsu Clyde Kusatsu         Tanaguchi Stephen Macht Stephen Macht       Van Moot ' . Tim McIntire . ' Tim McIntire           Roscoe Rules Randy Quaid Randy Quaid           Proust ' . Chuck Sacci . ' Chuck Sacci Sartino Don Stroud Don Stroud   Lyles James Woods James Woods           bloomguard Burt Young Burt Young  Scuzzi Robert Webber Robert Webber        Riggs ' . Jeanie Bell . ' Jeanie Bell    Fanny Forbes Blair Brown Blair Brown Kimberly Miles Michele Carey Michele Carey         Ora Lee Tingle Charles Haid Charles Haid           Yanov ' . Barbara Rhoades . ' Barbara Rhoades    "No Balls" Hadley Jim Davis Jim Davis     Capt. Drobeck ' . Phyllis Davis . ' Phyllis Davis           Foxy/Gina George DiCenzo George DiCenzo       Lt. Grimsley ' . David Spielberg . ' David Spielberg      Lt. Finque Vic Tayback Vic Tayback            Pete Zoony ' . Michael Wills . ' Michael Wills          Blaney ' . Susan Batson . ' Susan Batson           Sabrina ' . Claire Brennan . ' Claire Brennan       Carolina Moon ' . Joe Kapp . ' Joe Kapp       Hod carrier ' . Dimitri Logothetis . ' Dimitri Logothetis Card player ' . Louise Lorimer . ' Louise Lorimer       Fox Bob Minor Bob Minor     Hod carrier 2 ' . Maria O'Brien . ' Maria O'Brien          Carrier 2's wife ' . Cheryl Smith . ' Cheryl Smith          Tammy ' . John Steadman . ' John Steadman      Odello ' . Lomax Study . ' Lomax Study          Businessman ' . Bill Walker . ' Bill Walker   Tilden ' . Ben Young . ' Ben Young    Vice officer ' . Suzanne Zenor . ' Suzanne Zenor